FRIDAY, SEPTEMBER 30+

NO TARGETS TODAY.  PURELY A “GET STUFF DONE” DAY

  1.  Took Vocab Quiz
  2. Broke into groups of four, shared poem 1, critiqued (see GOOGLE CLASSROOM FOR ASSIGNMENT DETAILS).

 

DISTANT EARLY WARNING:

  • The week after next we will be starting an INDEPENDENT READING UNIT.  You will all need a book to read.  That book needs to be a MEMOIR/BIOGRAPHY/AUTOBIOGRAPHY.
    • We will go to the library for a book talk early in the week after next and I will be posting some mini book previews here, but if you have a person or a subject you really want to read about, you might want to start thinking long and hard about that.

MONDAY: SEPT. 26

WARMUP:  Read this quote from Robert Pollard, lead singer/songwriter/genius behind legendary indie rock band GUIDED BY VOICES.  What do you think about his process?

“I don’t write songs constantly, but I do keep ideas visually. I work every day from about 6am to noon. I keep notebooks full of ideas, titles and lyrics. When I feel the urge occasionally, I’ll combine them and brainstorm song ideas. I work on collages three or four times a week. To me it’s the same process and I frequently combine them. They’re equally satisfying. They both involve breaking down borrowed imagery, particularly from the 60’s and 70’s, and reconstructing it in to something that I hope is more interesting.”

LEARNING TARGETS: By the end of class you should be able to

  • share a plan for your poetry collection
  • analyze where you feel comfortable and where you have questions with regards to the poetry terms, literary terms (handout given to you on first day of poetry unit).

ACTIVITIES

  1. Warmup
  2. Good Things
  3. Visual check of vocab packets
  4. Questions on Vocab.
  5. Independent time to plan poetry assignment and/or begin writing

POETRY COLLECTION SHOULD INCLUDE

  • 4-6 finished poems
  • At least twp from this list
    • Artifact poem
    • Where I’m from poem (introduced Tuesday)
    • Season poem (use Steve Shilling’s as an example)
    • Found poem (introduced Wednesday)
    • Imitiation of Carl Sandburg’s Chicago.
  • With each poem, a 1-2 paragraph, in which you reflect on
    • your process for planning and writing the poem
    • what poetic techniques you incorporated.

FRIDAY SEPT. 23

WARMUP:  FIVE MINUTES OF VOCAB

LEARNING TARGETS: as a result of today’s lesson you will

  • develop your own interpretation of Robert Frost’s “The Road Not Taken”
  • be able to explain how you used interpretive strategies to come to that interpretation.

In class we completed the following assignment.  If not completed during class time it was homework. interpreting-the-road-not-taken

  • Broke into groups to read and work on questions
  • Returned as full class final 10-15 minutes, discussed.
  • (NOTE:  2nd and 3rd hour had a different version of the worksheet.  I switched up after the morning because I thought this would work better after the a.m. classes.  If you were in 2nd /3rd Hour but were absent, just use this one.

 

THURSDAY 9/22

WARMUP:  FIVE MINUTES ON VOCABULARY EXERCISES

LEARNING TARGETS: as a result of today’s class you should be able to

  • Explain and use specific strategies for reading poetry

MATERIALS USED:

 

IN CLASS: after warmup/good things

  • Watched video “How to Read a Poem”
  • C.E. led full class read/discussion of “The Pitcher” (at Google classroom)
  • Broke into individual/small groups to do a read of “The Road Less Traveled” (at Google classroom).

 

HOMEWORK: When you arrive at class tomorrow, be prepared to show you have tried to understand THE ROAD LESS TRAVELED.

WEDNESDAY : SEPTEMBER 21

WARMUP:  Free Write Five Minutes–things you noticed.

LEARNING TARGETS:  By the end of the day you will be able to

  • Analyze in your own words the poem “CHICAGO” by Carl Sandburg
  • Be able to say something about how to read a poem correctly

 

 

 

RESOURCES: ACTIVITIES:

In class we received a handout of Carl Sandburg’s poem “Chicago” and then did three readings of the poem–discussing and digging deeper each time.  The big question we tried to answer is: Do you think Sandburg likes or dislikes “Chicago” and why.

TUESDAY, SEPT. 17

WARMUP: Open up your writers’ notebook.  Freewrite for four minutes about your artifact.  If you need a starting place, start with what it means/symbolizes to you.

LEARNING TARGETS: as a result of today’s lesson you will be able to

  1. Explain how the first vocab unit will work.
  2. Explain where poets get inspiration

Materials:  steve-shilling-buccaneer-poet

 

ACTIVITIES:

  1. Launch Vocab Unit
  2. Read Steve Shilling Buccaneer Poet

 

HOMEWORK: without losing your focus or wasting time, try to be mindful and NOTICE things that are going on around you in your classes.  What is a small moment or “noticing” that you could turn into a poem?

MONDAY SEPTEMBER 19, 2016

 

WARMUP:  Read the following poem and list any examples of FIGURATIVE LANGUAGE that you find.

Fog by Carl Sandburg

The fog comes

on little cat feet.
It sits looking
over harbor and city
on silent haunches
and then moves on.
LEARNING TARGETS: By the end of today’s lesson you should be able to
  • Define (in your own words) “figurative language” and be able
    • give several examples
    • explain how poets use it.
  • Be able to explain the purpose of the writers’ notebook

 

HOMEWORK:

  1. Read CARL SANDBURG: Chicago  be ready to discuss.
  2. Bring in an ARTIFACT that has meaning to you.  (something you can write about).